Sunday, September 28, 2014

National Assembly of Bangladesh

          

If we look at the history of architecture since its beginning, say from the time of the pyramids to modern times, and make a list of the most significant buildings, it is likely that the National Assembly of Bangladesh (also known as Sher-e-Bangla Nagar) will occupy quite a prominent position. One could say that it was the culmination of the modern period of architecture and the beginning of the post-modern era.

The decision to build the National Assembly of Bangladesh in Dhaka city was originally made in 1959. The administrators of martial law planned to build the current Sangsad Bhavan as a second seat of parliament of Pakistan on the proposed zone as the second capital, Sher-e-Bangla Nagar.

                




Kahn, one of the great architects of his time, was originally selected to design the compound of the National Assembly. He was not charged directly, but the project was put to the public to submit preliminary ideas for the complex and in March 1962 he was awarded the project officially.

An extension of 208 acres north of the current Manik Mia Avenue was destined for the draft's second capital in 1961 and the masterplan was completed in 1962. Construction began in 1964 with an initial cost of $15 million. The main structure was under construction in 1971 when war erupted in the area and all work stopped. In 1974 the government of Bangladesh made the decision to terminate the project under its original plans. The construction of the complex, along with all its services and facilities, was completed and inaugurated in 1982 at a cost of $32 million.
The biggest criticism that has gone to the building has been for its exorbitant construction, especially in maintenance. The total cost of the complex (including the parliament building, the plaza north, the plaza south, residential buildings, hotels, gardens, streets, lakes, etc.) ascended to the staggering figure of $1.28 million. The mega complex has no more nor no less than 50 flights of stairs, 240 bathrooms, 1,635 doors, 335 windows, 300 partitions, and thousands of square meters of glass panels and wood. The annual cost of maintaining these facilities amounted to $55 million.
The building of the National Assembly has been addressed in virtually all publications about architecture around the world and has also been awarded the prized Aga Khan Award for Architecture. The subpoena that follows took place at the ceremony in which it awarded the construction and expresses a very interesting project evaluation:
"Faced with an architecture of so much power, size, clarity and beauty, the jury was unable to avoid questioning the compatibility between Sher-e-Banglanagar with the needs and aspirations of a poor country like Bangladesh. Yet studies on the design and construction of the building revealed that over time it has gained general acceptance and has become a symbol of democracy in Bangladesh, influencing the country in many positive ways. Looking at its architecture spatially, more immediately the building has been able to absorb major archetypes of the region along the street and its extensive gardens and numerous lakes. The architect has managed to reinterpret and transform these ideas along a process that has been able to adapt concepts of construction and technology to the specific conditions of the locality of Dhaka. The result is a building that, while universal in its concept and method, could not be found anywhere else."

Thursday, September 25, 2014

Ahsan Manjil in Dhaka

           

Built in 1872 and standing on the river Buriganga, this stately building offers the visitors a feeling of the life-style of the Nawabs of Dhaka. Sometimes known as the Pink Palace, this building now houses a splendid museum.Basically, it was the residence of the Nawabs. Nawab Abdul Gani renovated this building in the year 1872  and named it after his son Khaza Ahasanullah. 

On the bank of river Buriganga in Dhaka,the Pink majestic, Ahsan Manjil has been renovated and turned into a museum recently. It is an epitome of the nation's rich cultural heritage.


Todays renovated Ahsan Manjil a monument of immense historical beauty.

It has 31 rooms with a huge dome atop which can be seen from miles around. It now has 23 galleries in 31 rooms displaying of traits, furniture and household articles and utensils used by the Nawab.



             


                                         

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Thursday is close.